When we study tango, we often look down. We should look up. Or out. Or beyond. Anywhere but down. We concentrate on steps, on fancy figures, on balance, about where to place our feet. We should be wondering about where we place our soul. Can you approach a complete stranger, open yourself to their deep…

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Comments

7 responses to “Draft Mastery”

  1. great to read you every sunday, Kevin. Enjoy your concerts.

  2. Marti Avatar
    Marti

    I have an acquaintance who is a marriage counselor. First visit, he takes the couple to a ballroom lesson; he says he finds out everything he needs to know from observing their interaction.

  3. I love that photo Kevin! (which ‘effect’ did you use?) And, Marti – as a counselor – I like the idea of taking the couple to a dance class. You learn a lot about a person/couple from the way they dance.

  4. Megan Avatar
    Megan

    Kevin, I posted this on fb before I even realized that it’s you! Oh, that Kevin! I find that when I am teaching a couple in a private lesson, it often becomes very much a kinetic couples therapy hour (though since I was once an actual mental health counselor, I don’t label it (nor charge for) “therapy”. And when I am on and off the pista, it is mostly this spiritual side of tango – way more than technique and “steps” – that engages me most deeply. Thanks for posting. And come back to Portland asap!

  5. Marti Avatar
    Marti

    Another aspect: we know about tango as useful physical therapy for diseases such as Parkinson’s, the effect of tango even more than other music, on the brain. But many people who have such conditions also become depressed or emotionally withdrawn, and the human interaction and multi-level communication tango requires also combats that. I credit our tango with keeping my husband, who has Parkinson’s, not only on his feet and better balanced physically, but also emotionally and socially.

  6. Frederique Avatar
    Frederique

    As a follower (in tango as in other dances), I have often preferred a simpler pattern that expresses the music, to a complex one that doesn’t. A leader may have a sequence of steps memorized, but getting a follower to, well, follow, while still connecting to the music can be challenging.

    On good dances, I actually close my eyes. I hear the music better, and feel the lead better. I let go of nervous anticipation and give myself to the leader, whom I obviously trust. When I can do that, it is a gift of relaxation, pleasure, total oblivion for me.
    Last Sunday, I was lucky enough to close my eyes a few times on the dance floor.
    P.S. My dance teacher (pre-tango) used to say the exact same thing about teaching couples, and being able to tell the dynamics of the couple.